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The Photographer's Mind Remastered: Creative Thinking for Better Digital Photos, by Michael Freeman

The Photographer's Mind Remastered: Creative Thinking for Better Digital Photos, by Michael Freeman


The Photographer's Mind Remastered: Creative Thinking for Better Digital Photos, by Michael Freeman


Get Free Ebook The Photographer's Mind Remastered: Creative Thinking for Better Digital Photos, by Michael Freeman

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The Photographer's Mind Remastered: Creative Thinking for Better Digital Photos, by Michael Freeman

About the Author

Michael Freeman, professional photographer and best-selling author, was born in England in 1945, took a Masters in Geography at Brasenose College, Oxford University, and then worked in advertising in London for six years. In 1971 he made the life-changing decision to travel up the Amazon with two secondhand cameras, and when Time-Life used many of the pictures he came back with, he embarked on a full-time photographic career.Since then, working for clients that include all the world's major magazines, most notably the Smithsonian Magazine (for which he has shot more than 40 stories over 30 years), Freeman's reputation as one of the world's leading reportage photographers has been consolidated. Of his many books, which have sold over 4 million copies worldwide, more than 60 titles are on the practice of photography. For this photographic educational work he was awarded the Prix Louis Philippe Clerc by the French Ministry of Culture.Freeman's books on photography have been translated into 27 languages.

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Product details

Paperback: 192 pages

Publisher: Ilex Press (September 11, 2018)

Language: English

ISBN-10: 1781575649

ISBN-13: 978-1781575642

Product Dimensions:

9.4 x 0.6 x 10.1 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

82 customer reviews

Amazon Best Sellers Rank:

#756,033 in Books (See Top 100 in Books)

This is a really important book. Most photography books are solely concerned with cameras and lenses, but this book focuses (pun intended) on the psychology of the way images are interpreted and understood by people, which I think is far more important than equipment. The book is beautifully written and filled with gorgeous photographs illustrating the photographic and artistic concepts explained within. Photography has become bigger than ever before, and with the affordability of high-quality DSLRs and the image-sharing world of social media, everyone is a photographer today. In and of itself that is not a bad thing since Photography as a medium of documenting life as well as a medium for creative self-expression should be available to everyone. The problem, I feel, is that we've become too obsessed with technology, and we've forgotten that understanding the psychology and philosophy involved in all visual art is of paramount importance in creating images. Most books and YouTube videos are dedicated to catering to the consumer mentality. Everyone wants the newest, most expensive cameras with the most bells and whistles and highest megapixel counts, not realizing that you can take a great photograph with ANY camera, even point and shoot cameras and mobile phones. But the way to do that is to understand the elements of a good photograph and to think deeply about your compositions. That's where a book like this comes in. The author also wrote another book entitled The Photographer's Eye, which is equally a great book and also deals with the psychology of image making. Both books should be on the bookshelf of any serious photographer or artist.

I found this a very readable and informative book. As a serious photographer, currently enrolled in a three year professional photography program, the author's ideas and pictorial examples where thought provoking and provided creative seeds for my own exploration and image creation.Another feature of the book which I liked was Michael's recommended topics, concepts, or individuals to do Web lookups. I pursued some and learned much. This permits the reader to pursue his/her interests and makes the book itself easier to read.I read the Kindle edition and found both the layout and the orthography challenging. Where the author speaks about ideas or concepts related to a given image which in the printed version is probably on the same or opposite page in the Kindle edition you might find it several "pages" away which makes the dialogue harder to follow. This, coupled with misspellings and lack of capitalization of cities, towns and countries caused me to only give the book a four star rating

Having recently purchased and read both The Photographer's Eye and The Photographer's Mind by Michael Freeman, I will review both. Eye is easily the most helpful book I've read on photographic composition, discussing in clear terms framing, design basics, graphics, light and color, intent, and process. What I found especially helpful was the section on gestalt theory. While I have read about gestalt theory before, I have not found it quite so clearly discussed as here. Eye is a book to return to again and again.Mind, though it falters slightly near the end, for the most part maintains the same high level of quality as Eye in discussing "intent" and "style." Especially interesting is the section on beauty and the sublime ("Dead Monsters"), which dips into classical aesthetic theory going back to Burke, Kant, and Addison. In a book geared for the practitioner, such theorizing can easily go too far, but that is not the case here. In fact I could have done with a bit more classical theory. Even if one chooses to eschew classical principles, I believe it is better to do so knowledgeably than ignorantly. The cataloguing of styles is helpful. I found that I already use a number of styles in my photography, but I can now do so with greater awareness and confidence. I appreciated the web links throughout the book and the references to various photographers whose styles are discussed.I can highly recommend both books to amateur and advanced amateur photographers.

Michael Freeman is a genius of both photography and teaching. His books are works of art in there own right that can be savored over and over again for the pictures alone. However, if you can stop looking at the pictures long enough to read the books you can learn some amazing things. Michael is a prolific writer and I have many of his books but my three favorite are The Photographer's Eye: Composition and Design for Better Digital Photos,Michael Freeman's Perfect Exposure: The Professional's Guide to Capturing Perfect Digital Photographs, and this one. Each title perfectly captures what the books are about. If you want to learn more about composition then get the Photographer's Eye. Want to learn about Exposure, get Perfect Exposure. Want to learn more about composition and creative thinking, then get this book.This book is for the beginner and expert alike. However, it does assume a level of competence with a camera. You don't have to be an expert, you just need to know how to make your camera do what you want. So if you are looking for a book that tells you what to do then look elsewhere. This books are about thinking and in particular teaches you what to think about for advanced composition and creative thinking.People often get too wrapped around the axel about gear. If only they had a faster camera or more mega pixels or higher ISO, then they would be taking masterpieces. That could not be further from the truth. The cold hard truth is the best and fastest way to take better pictures is to one, take lots of pictures. A way to supercharge your learning in that process is to look at and study beautiful art and pictures. This book not only shows you amazing photos, it also analyzes the photos and explains why they are amazing photos and what he was thinking.I recommend all 3 of these books as masterpieces you will treasure and will, with practice, accelerate your learning process for taking great pictures.

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